On Discomfort and Empathy in Rosalind Nashashibi’s Electrical Gaza

Research output: Contribution to journalArticleScientificpeer-review

Abstract

Close-reading Rosalind Nashashibi's film Electrical Gaza, Norouzi frames the viewers’ empathic engagement as a redemptive act and considers an appraisal of discomfort as ethical labour.
Original languageEnglish
JournalMAI: Feminism and Visual Culture
VolumeFocus Issue
Issue number11
ISSN2003-1674
Publication statusPublished - 5 Oct 2023
MoE publication typeA1 Journal article-refereed

Fields of Science

  • 518 Media and communications
  • documentary culture
  • documentary film
  • Ethics of representation
  • spectatorship
  • media analysis
  • 6132 Visual arts and design
  • moving image
  • aesthetics
  • empathy
  • discomfort
  • artistic film practice
  • Gaza
  • film form
  • film making

Cite this