Lyrical diplomacy: Count Gustav Philip Creutz (1731-1785) and the opera

Charlotta Wolff

Lyrical diplomacy: Count Gustav Philip Creutz (1731-1785) and the opera

Forskningsoutput: Kapitel i bok/rapport/konferenshandling › Kapitel › Vetenskaplig › Peer review

Sammanfattning

This chapter highlights Swedish diplomat Count Creutz as a protector of opera and an agent of literary and cultural transfers. It examines his interest in opera from the perspective of the consumer, patron, poet and librettist. Artistic circulations here appear in a transnational context, where the modelling of taste obeys not only an aristocratic logic of prestige, but also a larger vision for the progress of the arts and letters.

Originalspråk	engelska
Titel på värdpublikation	Moving Scenes : The Circulation of Music and Theatre in Europe, 1700–1815
Redaktörer	Pierre-Yves Beaurepaire, Philippe Bourdin, Charlotta Wolff
Antal sidor	14
Utgivningsort	Oxford
Förlag	University of Oxford, Voltaire Foundation
Utgivningsdatum	2018
Sidor	143–156
ISBN (tryckt)	978-0-7294-1206-3, 0-7294-1206-7
Status	Publicerad - 2018
MoE-publikationstyp	A3 Del av bok eller annan forskningsbok

Vetenskapsgrenar

615 Historia och arkeologi
6122 Litteraturforskning
6131 Teater, dans, musik, övrig scenkonst

Comic opera and society in France and Northern Europe, ca. 1760–1790
Wolff, C. (Projektledare)
01/09/2013 → 31/08/2018
Projekt: Forskningsprojekt

Citera det här

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Lyrical diplomacy: Count Gustav Philip Creutz (1731-1785) and the opera. / Wolff, Charlotta.
Moving Scenes: The Circulation of Music and Theatre in Europe, 1700–1815. red. / Pierre-Yves Beaurepaire; Philippe Bourdin; Charlotta Wolff. Oxford: University of Oxford, Voltaire Foundation, 2018. s. 143–156.

Forskningsoutput: Kapitel i bok/rapport/konferenshandling › Kapitel › Vetenskaplig › Peer review

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Lyrical diplomacy: Count Gustav Philip Creutz (1731-1785) and the opera

Sammanfattning

Vetenskapsgrenar

Projekt

Comic opera and society in France and Northern Europe, ca. 1760–1790

Citera det här