The Crucifixion: A Fifteenth-Century Sienese Panel or a Pastiche?

Suvi Leukumaavaara

The Crucifixion: A Fifteenth-Century Sienese Panel or a Pastiche?

Avdelningen för filosofi, historia och konstforskning

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Originalspråk	engelska
Titel på värdpublikation	The Donor's Works : Old Art in the Collections of the Amos Anderson Art Museum
Redaktörer	Synnöve Malmström
Antal sidor	8
Utgivningsort	Helsinki
Förlag	Suomalaisen Kirjallisuuden Seura
Utgivningsdatum	2015
Sidor	38-45
ISBN (tryckt)	9789522226563, 9522226564
Status	Publicerad - 2015
MoE-publikationstyp	Ej behörig

Publikationsserier

Namn	Kirjokansi
Förlag	Suomalaisen Kirjallisuuden Seura
Volym	101

Vetenskapsgrenar

6132 Bildkonst och formgivning

Andra filer och länkar

The Amos Anderson Art Museum has a small collection of old art that was mostly owned privately by the donor, Amos Anderson (18781961), who was a Finnish newspaper and publishing magnate and a friend of art and culture. Mainly consisting of religious art, it was dear to Anderson and the works were mounted on the walls of his home, which was opened as an art museum in 1965. This collection of old art was long regarded as being of modest value and mostly consisting of copies of original works. Recent studies of the collection have revealed, however, that there are also authentic works among the copies. The Donors Works presents the most interesting pieces and discusses attributions of works, problematic motifs, and the surprising results of technical investigations of the artworks.

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